The video Monument Reflecting the City uses the red granite surface of the monument of the 'Croatian independence' in Split, erected by the conservative parties, as the main aesthetic and narrative element of the video.

The visual 'narrative' is created through mathematically determined set of rules, where the camera, which is always placed on same 4 positions, documents the 4 diffe-rent sides of the sculpture, alway at each full hour for 30 seconds, from dawn till sunset.

It captures the light changes and the circulation of people around the area, reflected on the  granite surface,  that serves as a sort of a "filter" through which we can get a glimpse of a specific corner of public space.

In such way, the red 'filter' signifies the alarming political situation of purposeful shrinking of public space and cultural areas through corrupt privatisation and expansion of mass tourism, processes that are often related to the branding of the - conservative politics driven -  national identities.

The large number of tourists in high season, along with the emigrating local population are two opposing realities of many croatian cities.

The juxtaposition of image and sound composition in the video establish sensoric codes that contribute to the  'haptics' of the video. Such abstract coding establishes a feeling of a space inside of the monument, space of the unknown or even of a threat from 'within'.